These days, a suitable lunch break can be difficult to find. Always, Critical ecology in cinema, a new series of lunchtime screenings presented by CUNY’s Mishkin Gallery, offers an incentive to get away from the daily grind, even if only for a short time.

Hosted by Alaina Claire Feldman, the month-long series will bring together artists, academics and filmmakers for conversations about gripping films and videos that address the increasingly urgent climate crisis and issues of power and privatization. who as a result. Yarimar Bonilla, co-editor of the acclaimed book Aftershocks: Puerto Rico before and after the storm, will launch the series on April 8 with the screening of his eponymous film (co-directed with Juan Carlos Dávila), which addresses the aftermath of Hurricane María through a poetic mix of interviews, readings, etc.

A promotional image for Aftershocks: Puerto Rico before and after the storm (2019), dir. Yarimar Bonilla and Juan Carlos Davila

As Feldman explained via email, “Thanks to the work of contemporary artists and professors at [CUNY’s Baruch College], the program offers multiple perspectives for dealing with these problems and the myriad of forces from which they arise.

Stay tuned throughout April for upcoming conversations and screenings with Dominique Knowles (with his video Tahlequah), Erik Blinderman and Lisa Rave (about their work Americium), and (drum roll, please) Apichatpong Weerasethakul, on his experimental film, Cactus river.

When: Weekly, starting April 8 at 1 p.m. EST
Online at the Mishkin Gallery

To see the Mishkin Gallery for more information

Unless you’re already familiar with Bey’s documentary work, the horror he refers to might not be recognizable to you.

The intention behind this seemingly bizarre combination was, according to Attie, “to give visual form to the shared American and Brazilian reality of the nationalist divisions that define our present politics.”

Nowhere in the museums advertising blitzkrieg for the performance were we told to bring our wildfire season masks along with our covid masks, and the covid masks do not prevent smoke inhalation.

Several members of the 2021 cohort identify as artists and storytellers, using the power that art and storytelling have over evolving ideas of power.

Made possible by a donation from Amazon actor MacKenzie Scott, the award is the largest in the history of the Bedstuy-based organization.

A donation of two hundred works includes Jean-Michel Basquiat, Robert Mapplethorpe, Keith Haring and Donald Baechler.

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